Juno Hong's debut feature, 'Only the Moon Knows', is a deeply personal story that explores the universal human condition of loneliness through an intercultural lens. This film, presented at the Shanghai International Film Festival's SIFF Project, showcases Hong's unique directorial voice, born from her own experiences studying and working abroad. With a complete script, a budget of RMB2 million, and 10% of financing secured, Hong is now seeking international co-producers and financing partners who value independent, cross-cultural cinema.
The film centers on Cheng Jun, a Chinese international student working the night shift at a 24-hour convenience store, and her unlikely bond with a homeless elderly woman who shelters there each night. Their friendship is tested when Cheng Jun prepares to return home after her studies, just as the old woman's situation takes an unexpected turn. Hong's personal connection to the story is evident, as she draws directly from her own experiences, aiming to capture the realistic, microscopic details of daily life.
Hong's approach to financing is centered on partners who value independent, cross-cultural cinema over purely commercial considerations. She emphasizes the importance of international co-productions and cultural film funds, seeking partners who deeply understand and value the artistic merit of her work. This approach reflects her belief that absolute honesty regarding one's own vulnerability is essential to forging a unique directorial voice.
What makes 'Only the Moon Knows' particularly fascinating is the way it highlights the initial isolation that comes with language and cultural barriers, a universal human condition that manifests differently across cultures. Hong's focus on realistic, microscopic details of daily life adds a layer of depth to the story, making it a compelling and authentic portrayal of loneliness and human connection.
In my opinion, Juno Hong's debut feature is a powerful and personal work that showcases her unique directorial voice and her ability to capture the complexities of human relationships. Her approach to financing and her emphasis on independent, cross-cultural cinema make her a director to watch in the future of cinema.
